Tuesday 26 February 2013

Film classification research and preperation

How are films classified?
Step 1
Once a movie is finished or ready to be sold on video or DVD, its owner, (often called a 'distributor'), sends it into the BBFC with a form telling us vital information about its length, whether it's on film, video or DVD and even what classification they would like it to have. They have to pay to have their film or video/DVD examined and classified.     
Step 2
The film or DVD then gets measured by the BBFC's Technical Department. This is very important because distributors are charged according to the length of their film or video/DVD. This department also checks the quality of the film to make sure it's good enough to be viewed by the examiners, the people who will eventually recommend a classification for it.
Step 3
With so many films and DVDs coming into the BBFC, it's up to the Information Services Department to make sure that everything gets examined and classified as soon as possible. A daily schedule or timetable is created on the BBFC's computer system that lists all the films and DVDs that need to be examined.
Step 4
Examiners check the schedule to see what to watch. It might be DVDs, films or both. These are normally watched by a team of two examiners. Examiners take notes and then decide on a classification. They write a report on each film or DVD, no matter how short. The BBFC classifies trailers, adverts and DVD add-ons as well. The report is read and checked by Senior Examiners, who will confirm the classification. Sometimes a movie is watched by a second team to help make sure that it gets the right classification.
Step 5
The owner, or distributor, is told the decision and later sent a certificate with the classification on it. They can then begin to think about releasing their film. The certificate, sometimes called 'the black card' has to be shown at the start of each cinema screening. For DVDs, the distributor has to make sure every copy has the correct BBFC classification symbol on its cover.

What are the main film classifications?
  • Universal
  • Parental guidence
  • 12 Accompnied
  • 12
  • 15
  • 18
  • Restricted 18
Why are they classifed?
Films are classified to make sure it is suitable for the age range. For example a horror movie which has the potential to be very frightening and affect someones life because of the horror of it a young person would not be suitable for this movie as they may not be able to seperate it from real life.

By whom?
British board of film classification

Film classification is a crucial part of film distrubution. why?
When making a film the producers have to think about what age range they want the film to be targeted at  and then think whether it will be approved for that age range and get the right film classification. If they then dont get the right certificate the film may not be distributed very well therefore you have to think beforehand. It also may effect where the film is disrtibuted. For example uxbridge cinema show a lot of family movies because it is a shopping centre with a lot of shops for young children.

How effective is film classification?
The movie rating system has had a number of high profile critics. Film critic Roger Ebert argues that the system places too much emphasis on not showing sex while allowing the portrayal of massive amounts of gruesome violence. Moreover, he argues that the rating system is geared toward looking at trivial aspects of the movie (such as the number of times a profane word is used) rather than at the general theme of the movie (for example, if the movie realistically depicts the consequences of sex and violence). He has called for an A (adults only) rating, to indicate films high in violence or mature content that should not be marketed to teenagers, but do not have NC-17 levels of sex. Therefore it is not always effective because some people may disagree with the film classification.
 
Have you watched films classified as 18 when you were below this age?
I have watched 15's before i was 15 however i was not allowed to watch 18's when i was young but i would be allowed to know at the age of 16.
 
Does filmclassification work for home viewing? e.g  DVD, netflix, Lovefilm downloads?
A lot of the movie sites you have to be 18 to apply for therefore they may assume that you are the adult and you are controlling what the person is watching.  However some certain websites and movie chanells on the telly have a pin code a parent or owner has to type in or you have to confirm you are a certain age. However people can lie easilly.
 
Can parents or guardians be trusted to monitor what children are viewing?
If the parent is responsible they should be trusted. However it is their child and they would have to deal with the consequence of letting their child watch a film. For example if the child is very scared and gets distressed and cannot sleep at night. They are responsible for their children and should be trusted.
 
Should they have this responsibility? How can they effectively monitor their childrens viewing?
They should have responsiblility because it is their child and they have control of their childrens lives. Laptops and computers have special parent locks and controls that can view what their child is doig online etc which they can control what there child is viewing as well as putting more pins and locks on the tellys and computers and having to ask permission to watch things on websites or things like Lovefilm and netflix.
 
What do you think the balance between state intervention and individual responsiblity should be?
I think there should still be film classifications on films to guide parents and guardians to what their child should and shouldnt be watching but it should come down to individual and parental responsibility and what they think there child should be watching because although there is laws and classification if a parents allows a child to do something they will do it and even if they dont give then permission they would probably still find a way so parents need to have more control if the child is younger. If it is a teenager however i think they should have individual responsibility and it should be up to them if they want to watch a movie and use the classifications as a guide but then have to deal with the consequences of watching that movie whatever they may be.

BAFTAS 2013 Research

  1. The British Academy of Film and Television Arts (BAFTA) is a charity in the United Kingdom that hosts annual awards shows for excellence in cinema, television, television craft, video games and forms of animation.
  2. The awards are:
Adapted screen play in 2013
Make up and hair in 2013
Animated film in 2013
Original film music in 2013
Cinemotography in 2013
Original screenplay in 2013
Costume design in 2013
Outstanding british contribution to cinema in 2013
Direction in 2013
Outstanding british film in 2013
Documentary in 2013
Outstanding Debut By A British Writer, Director or Producer in 2013
EE rising star in 2013
Production design in 2013
Editing in 2013
Short animation in 2013
Fellowship in 2013
Short film in 2013
Film in 2013
Sound in 2013
Film not in the English language in 2013
Leading actor in 2013
Special visual effects in 2013
Leading actress 2013
Supporting actor in 2013
Supporting actress in 2013

3. The winners were:
Adapted screen play in 2013 - Silver Linings Playbook
David O. Russell
 
Make up and hair in 2013 - Les Misérables
Lisa Westcott
 
Animated film in 2013 - Brave
Mark Andrews, Brenda Chapman
 
Original film music in 2013 - Skyfall
Thomas Newman
 
Cinemotography in 2013 - Life Of Pi
Claudio Miranda

Original screenplay in 2013- Django Unchained
Quentin Tarantino
 
Costume design in 2013- Anna Karenina
Jacqueline Durran
 
Outstanding british contribution to cinema in 2013 - Tessa Ross

Directior in 2013 - Ben Affleck

Outstanding british film in 2013 - Skyfall
Sam Mendes, Michael G. Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan

Documentary in 2013 - Searching For Sugar Man
Malik Bendjelloul, Simon Chinn

Outstanding Debut By A British Writer, Director or Producer in 2013 - Bart Layton, Dimitri Doganis
The Imposter

EE rising star in 2013 - Juno Temple

Production design in 2013 - Les Misérables
Eve Stewart, Anna Lynch-Robinson

Editing in 2013 - Argo
William Goldenberg

Short animation in 2013 - The Making Of Longbird
Will Anderson, Ainslie Henderson

Fellowship in 2013 - Sir Alan Parker

Short film in 2013 - Swimmer
Lynne Ramsay, Peter Carlton, Diarmid Scrimshaw

Film in 2013 - Argo
Grant Heslov, Ben Affleck, George Clooney

Sound in 2013 - Les Misérables
Simon Hayes, Andy Nelson, Mark Paterson, Jonathan Allen, Lee Walpole, John Warhurst

Film not in the English language in 2013 - Amour
Michael Haneke, Margaret Ménégoz

Leading actor in 2013 - Daniel Day-Lewis
Lincoln

Special visual effects in 2013 - Life Of Pi
Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer, Donald R. Elliott

Leading actress 2013 - Emmanuelle Riva
Amour

Supporting actor in 2013 - Christoph Waltz
Django Unchained

Supporting actress in 2013 - Anne Hathaway
Les Misérables

4. The British nomiees were:
Lisa Westcott - Les miserables
Ivana Primorac - Anna Karenina
Mark Andrews, Brenda Chapman - Brave
Chris Butler - ParaNorman
Seamus McGarvey - Anna Karenina
Roger Deakins - Skyfall
Jacqueline Durran - Anna Karenina          
Joanna Johnston - Lincoln
Tessa Ross
Sam Mendes, Michael G. Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan - Skyfall
Joe Wright, Tim Bevan, Eric Fellner, Paul Webster, Tom Stoppard - Anna Karenina           
John Madden, Graham Broadbent, Pete Czernin, Ol Parker - The Best Exotic Marigold Hotel           
Tom Hooper, Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh, William Nicholson, Alain Boublil, Claud - Les Misérables           
Martin McDonagh, Graham Broadbent, Pete Czernin - Seven Psychopaths
Kevin Macdonald, Steve Bing, Charles Steel - Marley
Dexter Fletcher, Danny King - Wild bill
James Bobin  - The muppets
Juno Temple
Andrea Riseborough           
Eve Stewart, Anna Lynch-Robinson - Les Misérables
Sarah Greenwood, Katie Spencer - Anna Karenina
Dennis Gassner, Anna Pinnock - Skyfall
Stuart Baird - Skyfall
Eamonn O'Neill - Im fine thanks
Sir Alan Parker           
Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh - Les Misérables
Lynne Ramsay, Peter Carlton, Diarmid Scrimshaw - Swimmer
Fyzal Boulifa, Gavin Humphries  - The curse
Simon Hayes, Andy Nelson, Mark Paterson, Jonathan Allen, Lee Walpole, John Warhurst - Les Misérables
Stuart Wilson, Scott Millan, Greg P. Russell, Per Hallberg, Karen Baker Landers - Skyfall
Helen Mirren
Javier Bardem  - Skyfall
Anne Hathaway - Les Misérables
Judi Dench  - Skyfall

The british winners are:
Lisa Westcott
Mark Andrews
Jacqueline Durran
Tessa Ross
Sam Mendes
Michael G. Wilson
 Barbara Broccoli
 Neal Purvis
 Robert Wade
John Logan
Juno Temple
Eve Stewart
Anna Lynch-Robinson
Simon Hayes
 Andy Nelson
 Mark Paterson
 Jonathan Allen
 Lee Walpole
 John Warhurst
Anne Hathaway

Biographies:
Lisa Westcott
Lisa Westcott is an English makeup artist with over 35 films to her credit. She has been nominated for 70th Academy Awards, 1997
Best Makeup — Mrs. Brown (shared with Veronica Brebner and Beverley Brinda)

71st Academy Awards, 1998
Best Makeup — Shakespeare in Love (shared with Veronica Brebner)
85th Academy Awards, 2012
Best Makeup & HairstylingLes Misérables (shared with Julie Dartnell)
Mark Andrews
Mark Andrews is a Pixar employee. He was the story supervisor for The Incredibles, directed the short film One Man Band and co-wrote the short films Jack-Jack Attack and One Man Band.
He studied animation at the Character Animation Program at CalArts. He is also considered to be Brad Bird's "right-hand man". Some of his student films have been featured at MOMA's exhibition TOMORROWLAND: CalArts in Moving Pictures. Unlike other CalArts alumni, he is not a fan of Disney films, and claimed he was a bigger fan of Kimba the White Lion, Speed Racer, and Robotech.
He is father of Maeve Andrews, who voiced Jack-Jack Parr in The Incredibles.
He replaced Brenda Chapman as director of the 2012 Pixar feature film Brave.

Jacqueline Durran
Jacqueline Durran is a British costume designer. She won the BAFTA award for Vera Drake. She received considerable attention for her work in Pride & Prejudice (2005 film), for which she received an Academy Award for Best Costume Design nomination and won a Satellite Award. She won an Academy Award for her work on Anna Karenina.

Sam Mendes
 Samuel Alexander "Sam" Mendes, CBE (born 1 August 1965) is an English stage and film director. He is best known for directing American Beauty (1999), which earned him the Academy and Golden Globe Award for Best Director; the crime film Road to Perdition (2002); the James Bond movie Skyfall (2012), and his dark re-inventions of the stage musicals Cabaret (1994), Oliver! (1994) and Company (1996), as well as Gypsy (2003).
In 2000, Mendes was appointed a Commander of the Order of the British Empire by Queen Elizabeth II for "services to drama", and in 2005 received a lifetime achievement award from the Directors Guild of Great Britain.

Neal Purvis and Robert Wade
Neal Purvis (born 9 September 1961) and Robert Wade (born 1962) are English screenwriters, who have co-written the five James Bond films from The World Is Not Enough to Skyfall, as well as other works. The two have been called "one of Britain's most successful screenwriting partnerships".

Juno Temple
Juno Violet Temple (born 21 July 1989) is an English actress. She has starred in films such as Atonement, Dirty Girl, Kaboom, St Trinian's, Little Birds, Killer Joe, and The Dark Knight Rises. Juno Temple was born in London, and is the daughter of producer Amanda Pirie and film director Julien Temple.[1][2] She grew up in Somerset, England, and attended Enmore Primary School, Bedales School, and King's College, Taunton. She has two younger brothers, Leo Temple and Felix Temple. Temple began her career as a child actress in the 1997 film Vigo: Passion for Life, a film about Jean Vigo.[3] Another film directed by her father starred Juno in 2000 when she played Emma Southey in Pandaemonium.

Jonathan Allen
Jonathan Allen (born 1966) is a visual artist, writer, and magician based in London. His alter-ego "Tommy Angel", is a fictitious evangelist and magician satirising the genre of Gospel Magic, who Allen portrays in a variety of media including performance, photography, video, and writing.

Film case studies:

SKYFALL:
Skyfall is the twenty-third James Bond film produced by Eon Productions. It was distributed by MGM and Sony Pictures Entertainment in 2012. It features Daniel Craig's third performance as James Bond, and Javier Bardem as Raoul Silva, the film's antagonist. The film was directed by Sam Mendes and written by Neal Purvis, Robert Wade, and John Logan. Skyfall premiered in London at the Royal Albert Hall on 23 October 2012 and was released in the United Kingdom on 26 October 2012 and the United States on 9 November 2012. It was the first James Bond film to be screened in IMAX venues, although it was not filmed with IMAX cameras. The film's release coincided with the 50th anniversary of the Bond series, which began with Dr. No in 1962. Skyfall was positively received by critics and at the box office, becoming the 14th film, as well as the first Bond film, to cross the $1 billion mark worldwide. As of at least early 2013 it is the seventh-highest-grossing film of all time, the highest-grossing film in the UK, the highest-grossing film in the Bond series, the highest-grossing film worldwide for both Sony Pictures and MGM, and the second highest-grossing film of 2012. The film won several accolades, including the BAFTA Awards for Outstanding British Film and Best Film Music; the Screen Actors Guild Award for Outstanding Performance by a Stunt Ensemble in a Motion Picture; and was nominated for five Academy Awards, of which it won two. Per Hallberg and Karen Baker Landers won the Academy Award for Best Sound Editing, whilst Adele's theme song won both the Academy Award and the Golden Globe Award for Best Original Song. Skyfall has earned $1.1 billion worldwide, and is the highest-grossing film worldwide for Sony Pictures, the second highest-grossing film of 2012, and the 7th highest-grossing film of all time. On its opening weekend, it earned $80.6 million from 25 markets.
Directed bySam Mendes
Produced by
  • Michael G. Wilson
  • Barbara Broccoli
Screenplay by
  • Neal Purvis
  • Robert Wade
  • John Logan
Based onJames Bond by
Ian Fleming
Starring
  • Daniel Craig
  • Javier Bardem
  • Ralph Fiennes
  • Naomie Harris
  • Bérénice Marlohe
  • Albert Finney
  • Judi Dench
Music byThomas Newman
CinematographyRoger Deakins
Editing by
  • Stuart Baird
  • Kate Baird
StudioEon Productions
Distributed by
  • Metro-Goldwyn-Mayer
  • Columbia Pictures

ANNA KARENINS:
Anna Karenina is a 2012 British drama film directed by Joe Wright and adapted by Tom Stoppard from Leo Tolstoy's 1877 novel of the same name. The film depicts the tragedy of married aristocrat and socialite Anna Karenina and her affair with the affluent Count Vronsky. Keira Knightley stars in the lead role as Karenina, marking her third collaboration with Wright, while Jude Law and Aaron Taylor-Johnson appear as Alexei Karenin and Vronsky, respectively. Produced by Working Title Films in association with StudioCanal, the film premiered at the 2012 Toronto Film Festival, and was released on 7 September 2012 in the United Kingdom and Ireland and on 9 November in the United States. It also won the Academy Award for Best Costume Design.
Joe Wright was hired to direct an adaptation of the Leo Tolstoy novel Anna Karenina, his fourth collaboration with Working Title Films.[6][8] Wright shot most of his film on a single soundstage at Shepperton Studios in a dilapidated theatre outside London.[9][10] Italian composer Dario Marianelli composed the film score, while Jacqueline Durran served as the costume designer. Sarah Greenwood was in charge of production design. Wright has worked with all three in past productions, including on the 2005 film Pride & Prejudice. Further crew members include cinematographer Seamus McGarvey, editor Melanie Ann Oliver, and choreographer Sidi
Larbi Cherkaoui.[6]





 
The cast includes Keira Knightley as Anna, Jude Law as her husband, Aaron Taylor-Johnson as her young love,[5][12] and Irish actor Domhnall Gleeson as Konstantin Levin, as well as Kelly Macdonald, Olivia Williams, Matthew Macfadyen, Michelle Dockery, and Tannishtha Chatterjee.[7][13][14][15] Saoirse Ronan and Andrea Riseborough were initially cast in the film, but dropped out and were replaced by Alicia Vikander and Ruth Wilson, respectively. Ronan, stated that her reasoning behind turning down the role of Kitty was the film's long production schedule. It would have required her to turn down movie roles from Fall 2011 to late Spring 2012, in order to film what would have ended up as a supporting role. By turning down the role, she was able to take the lead roles in Byzantium and The Host.[16] The Borgias star Holliday Grainger had a minor role as Baroness Shilton.
In July 2011, Keira Knightley began rehearsals,[17] in preparation for principal filming which began later in 2011.[18] Filming began in October 2011.[8] The film was distributed by Focus Features in North America and by Universal Pictures International for international markets. The film was released on 7 September 2012 in the United Kingdom and 9 November 2012 in the United States.
Directed byJoe Wright
Produced byTim Bevan
Eric Fellner
Paul Webster
Screenplay byTom Stoppard
Based onAnna Karenina by
Leo Tolstoy
StarringKeira Knightley
Jude Law
Aaron Taylor-Johnson
Kelly Macdonald
Music byDario Marianelli
CinematographySeamus McGarvey
Editing byMelanie Ann Oliver
StudioWorking Title Films
Distributed byUniversal Pictures (UK)
Focus Features (US

THE BEST EXOCTIC MARIGOLD HOTEL:
The Best Exotic Marigold Hotel is a 2012 British comedy-drama film, directed by John Madden. The screenplay, written by Ol Parker, was based on the 2004 novel These Foolish Things, by Deborah Moggach, and features an ensemble cast consisting of Judi Dench, Celia Imrie, Bill Nighy, Ronald Pickup, Maggie Smith, Tom Wilkinson and Penelope Wilton, as a group of British pensioners moving to a retirement hotel in India, run by the young and eager Sonny, played by Dev Patel. The movie was produced by Participant Media and Blueprint Pictures on a budget of $10 million.
The film was released in the United Kingdom on 24 February 2012 and received critical acclaim; The Best Exotic Marigold Hotel opened to strong box-office business in the United Kingdom and continued to build worldwide. It became a surprise box-office hit following its international release, eventually grossing $134 million worldwide, mostly from its domestic run. It was ranked among the highest-grossing 2012 releases in Australia, New Zealand and the United Kingdom and the highest-grossing specialty releases of the year.Several film studios, such as Working Title Films, decided to pass on Parker's pitch, considering it unmarketable.
Principal photography began on 10 October 2010 in India. Most of the filming took place in the Indian state of Rajasthan, including the cities of Jaipur and Udaipur. According to Madden, Rajasthan was selected as "the place to film because the terrain felt right, most particularly the colors felt right. It's just an incredibly rich color palette you find in that part of India. It felt right to us as the setting for the story," he said. Ravla Khempur, an equestrian hotel about an hour and a half outside of Udaipur, was chosen as the site for the Best Exotic Marigold Hotel. The hotel was originally the palace of a tribal chieftain. Other scenes were shot in Kishangarh, at a watering hole near Amer Fort, the Kanota Fort outside Jaipur and near the Lake Palace Hotel at Lake Pichola. Madden cited the noise as well as the people's curiosity and hospitality upon producing a camera anywhere among the challenges of filming in India. In the United Kingdom, The Best Exotic Marigold Hotel came in second to The Woman in Black at the box office in its first week, earning £2.2 million. It eventually topped the UK box office with £2.3 million in its second weekend on release.
Directed byJohn Madden
Produced byGraham Broadbent
Peter Czernin
Screenplay byOl Parker
Based onThese Foolish Things by
Deborah Moggach
StarringJudi Dench
Bill Nighy
Penelope Wilton
Maggie Smith
Tom Wilkinson
Ronald Pickup
Celia Imrie
Dev Patel
Music byThomas Newman
CinematographyBen Davis
Editing byChris Gill
StudioParticipant Media
Imagenation Abu Dhabi FZ
Blueprint Pictures
Distributed by20th Century Fox

LES MISERABLES:
Les Misérables is a 2012 British musical drama film produced by Working Title Films and distributed by Universal Pictures. The film is based on the musical of the same name by Alain Boublil and Claude-Michel Schönberg which is in turn based on Les Misérables, the 1862 French novel by Victor Hugo. The film is directed by Tom Hooper, scripted by William Nicholson, Boublil, Schönberg and Herbert Kretzmer, and stars an ensemble cast led by Hugh Jackman, Russell Crowe, Anne Hathaway, and Amanda Seyfried. The film tells the story of Jean Valjean, an ex-convict who becomes mayor of a town in France. Soon exposed, Valjean agrees to take care of Cosette, the illegitimate daughter of the dying Fantine, but as a fugitive must also avoid being captured again by police inspector Javert. The plot spans 17 years and is set against a backdrop of political turmoil, which in the film culminates in the June Rebellion of France. Development of Les Misérables based on the stage musical began in the late 1980s. After the musical's 25th Anniversary concert in October 2010, producer Cameron Mackintosh announced that the film resumed development. Hooper and Nicholson were approached in March 2011 and the main characters were cast in 2011. Principal photography commenced in March 2012, and took place in various locations including Greenwich, London, Winchester and Portsmouth in Hampshire, England, as well as Gourdon, in France.
In March 2011, director Tom Hooper began negotiations to direct Les Misérables from the screenplay by William Nicholson.[54] Production on the film officially began in June that year, with Cameron Mackintosh and Working Title Films co-producing. Having already approached Hooper prior to production with the desire of playing Jean Valjean, Hugh Jackman began negotiations to star in the film alongside Paul Bettany as Javert.[55][56] Other stars that became attached to the project were Anne Hathaway and Helena Bonham Carter.[57]
In September 2011, Jackman was officially cast as Jean Valjean and Russell Crowe was cast as Javert.  The following month, Mackintosh confirmed that Hathaway would play Fantine. For the role, Hathaway allowed her hair to be cut short into a pixie cut on camera for a scene in which her character sells her hair, stating that the lengths she goes to for her roles "don't feel like sacrifices. Getting to transform is one of the best parts of [acting]." The role also required her to lose 25 pounds.
In November 2011, Eddie Redmayne joined the cast as Marius Pontmercy. It was also reported that the shortlist of actresses for the role of Éponine included Scarlett Johansson - who also auditioned for the role of Fantine -, Lea Michele, Taylor Swift, and Evan Rachel Wood In January 2012, the press reported that Taylor Swift had been officially offered the part, but Swift later revealed that these reports were not entirely accurate. At the end of the month, Cameron Mackintosh made a special appearance during the curtain call of the Oliver! UK tour at the Palace Theatre, Manchester, announcing that the tour's Nancy, Samantha Barks, who had played Éponine in the West End production and in the 25th Anniversary concert, would reprise the role in the film. Barks had been auditioning for 15 weeks up to that point.As of 22 February 2013, Les Misérables earned $146,061,865 in North America and $233,300,000 in other territories for a worldwide total of $379,361,865. In North America, Les Misérables opened on 25 December 2012 in 2,808 theatres placing first at the box office with $18.1 million. This amount broke the record for the highest opening day gross for a musical film, previously held by High School Musical 3: Senior Year, and was also the second highest opening day gross for a film released on Christmas Day. It earned $27.3 million in its opening weekend, placing third behind Django Unchained and The Hobbit: An Unexpected Journey.
The film was released in the United Kingdom on 11 January 2013 and earned £8.1 ($13.1) million in its opening weekend, making it the largest opening weekend for a musical film, as well as Working Title.
Directed byTom Hooper
Produced byTim Bevan
Eric Fellner
Debra Hayward
Cameron Mackintosh
Screenplay byWilliam Nicholson
Alain Boublil
Claude-Michel Schönberg
Herbert Kretzmer
Based onLes Misérables by
Alain Boublil
Claude-Michel Schönberg
StarringHugh Jackman
Russell Crowe
Anne Hathaway
Amanda Seyfried
Eddie Redmayne
Helena Bonham Carter
Sacha Baron Cohen
Music byClaude-Michel Schönberg
CinematographyDanny Cohen
Editing byMelanie Ann Oliver
Chris Dickens
StudioWorking Title Films
Cameron Mackintosh Ltd.[2]
Relativity Media[2]
Distributed byUniversal Pictures

SEVEN PSYCHOPATHS:
Seven Psychopaths is a 2012 British black comedy film written, co-produced and directed by Martin McDonagh. It stars Colin Farrell, Sam Rockwell, Woody Harrelson and Christopher Walken. The film marks the second collaboration between McDonagh and Farrell, following 2008's In Bruges.
The first casting announcements were made on 12 May 2011. The film was made through the production company HanWay.
Mickey Rourke dropped out of The Expendables 2 to star in the film. He later dropped out of Seven Psychopaths after having disagreements with McDonagh, calling him a "jerk-off." He was later replaced by Woody Harrelson. On the incident, McDonagh said "I was fine with it. Mickey's a great actor [...] I've known Woody [Harrelson] for years and years, and he was a perfect choice for this, too. He's got those great dramatic elements, which he's shown in Rampart recently, and he's always been a fantastic comedian. You need that in this — someone who can be out-and-out funny, but also turn sinister on a dime."
Filming was completed late 2011. The first set photos were revealed on 11 November 2011.The North American release date was 12 October 2012.
Seven Psychopaths was released on 12 October 2012, and opened in 1,480 theaters in the United States, grossing $1,360,000 on its opening day and $4,275,000 on its opening weekend, ranking No. 9 with a per theater average of $2,889. On its second weekend, it dropped down to No. 11 and grossed $3,273,480, with a per theater average of $2,212. By its third weekend it dropped down even more to No. 15 and made $1,498,350, with a per theater average of $1,494.
Directed byMartin McDonagh
Produced by
  • Martin McDonagh
  • Graham Broadbent
  • Peter Czernin
Written byMartin McDonagh
Starring
  • Colin Farrell
  • Sam Rockwell
  • Woody Harrelson
  • Christopher Walken
  • Tom Waits
  • Abbie Cornish
  • Olga Kurylenko
Music byCarter Burwell
CinematographyBen Davis
Editing byLisa Gunning
Studio
  • Film4
  • British Film Institute
  • Blueprint Pictures
Distributed by
  • CBS Films (United States)
  • Momentum Pictures (United Kingdom
 

Tessa Ross
Controller, Film and Drama
Tessa is the Controller of Film and Drama at Channel 4. She's been at the Channel since 2000, when she joined the organisation as Head of Drama and she became Head of Film4 in 2003.
She was born in London and educated at Westminster School and Somerville College, Oxford where she read Oriental Studies. In 1986 she became a literary agent and in 1988 a script editor at BBC Scotland. In 1990 she was appointed head of development at British Screen and in 1993 head of drama for the BBC independent commissioning group. In 2002 she became head of Film4 and in 2004 head of drama at Channel 4.
She has been the executive producer of several notable British films including; Billy Elliot (2000), The Last King of Scotland (2006), Slumdog Millionaire (2008), Four Lions (2010) and The Iron Lady (2011). In the 2010 New Year Honours she was awarded the CBE for services to broadcasting. At the 66th British Academy Film Awards on 10 February 2013 she received the award for 'Outstanding British Contribution to Cinema' that is presented annually in honour of Michael Balcon.

5 Interview Questions:
  1. What do you enjoy most about you job?
  2. What is the hardest thing about your job?
  3. How did you feel when you won your BAFTA and did you expect it?
  4. What made you work for film4 in the first place?
  5. what advice would you give someone looking to go into a job in film?


Friday 15 February 2013

Film distrubtion research HW

ODEON Marble Arch London and ODEON Leicester Square

1. Marble arch have 31 seperate screenings on both saturday and sunday. Leicster square have 39 on both saturday and sunday.
2. 16 films are being exhibited at Marble Arch and 8 at Leicster square.
3. 10 out of the 16 films at Marble Arch are being screened several times at the same place and all 8 at Leicster Square are being shown several times.
4. They are all being shown at a lot of different cinemas apart from Skyfall which is being shown at Leicster square as this has finished being shown at most cinemas. Although both cinemas are not showing any of the same films over the same weekend which shows the films do not play at all the same cinemas.
5.
6.
7. The conclusions i can draw about film distrubtion in the UK is it is very varied. Cinemas do not all show the same thing and depending on the location of the cinema depends on how many times the film is showed.

Thursday 7 February 2013

Dreamworks

Our History

DreamWorks Studios is a motion picture company formed by partners Steven Spielberg, Stacey Snider and The Reliance Anil Dhirubhai Ambani Group. The studio currently has a worldwide distribution deal with The Walt Disney Studios, who will market and distribute their films.
DreamWorks Studios was originally founded in 1994 by Spielberg, Jeffrey Katzenberg, and David Geffen. One of the studio’s first forays into the entertainment marketplace was the long-running sitcom “Spin City.” DreamWorks released its first feature film in September 1997—the action thriller "The Peacemaker," starring George Clooney and Nicole Kidman. This was followed by Spielberg's first film for the studio, "Amistad," which was nominated for four Academy Awards™, including Anthony Hopkins for Best Supporting Actor. Spielberg also received his eighth Directors Guild of America (DGA) nomination for “Amistad.”
In 1998, DreamWorks released Spielberg’s critically acclaimed World War II drama, “Saving Private Ryan,” as well as its first two animated features, “Antz” and “The Prince of Egypt.” “Saving Private Ryan,” which was a co-production with Paramount, was the highest grossing release (domestically) of the year, and was nominated for 11 Academy Awards, of which it won five, including Best Director for Spielberg. He was also honored with the DGA’s award for Outstanding Directorial Achievement in Feature Film.
In 1999, DreamWorks released the Academy Award winning “American Beauty,” starring Kevin Spacey and Annette Bening and directed by first-time director Sam Mendes. The following year, the studio released “Gladiator” (a co-production with Universal Studios), which won that year’s Oscar for Best Picture, “Almost Famous” (a co-production with Sony), “Meet the Parents” (a co-production with Universal), “The Contender” and “Castaway” (a co-production with 20th Century Fox). At the box office, DreamWorks’ releases in 2000 totaled over $2 billion worldwide.
In 2001, DreamWorks and Universal Pictures produced the Academy-Award winning film, “A Beautiful Mind.” That same year, Steven Spielberg and Tom Hanks partnered to executive produce the landmark HBO miniseries, “Band of Brothers.” DreamWorks’ other releases for 2001 included the debut of everyone’s favorite ogre, “Shrek,” and Spielberg’s “A.I.: Artificial Intelligence” (a co-production with Warner Bros.). “Shrek,” which featured the voice talents of Mike Myers, Cameron Diaz, and Eddie Murphy, won the first ever Best Animated Feature Film Oscar®.
In 2002, the studio released “Minority Report,” a co-production with 20th Century Fox, starring Tom Cruise and directed by Spielberg, “Road to Perdition,” starring Tom Hanks, Paul Newman, Jude Law, and Daniel Craig and directed by Sam Mendes, “The Ring,” a remake of the Japanese horror film “Ringu,” and Spielberg’s second film of 2002, “Catch Me If You Can,” starring Leonardo DiCaprio and Tom Hanks. Over the next few years, the studio continued to produce a slate of successful films including 2003’s “Old School,” “House of Sand and Fog,” and “Seabiscuit” (a co-production with Universal,” as well as 2004’s “Anchorman” “Collateral,” and popular sequels like “Meet the Fockers” and “Shrek 2.”
In the Fall of 2004, the animation division of the studio was spun-off into a publicly traded company named DreamWorks Animation (DWA). DreamWorks founder Jeffrey Katzenberg moved with DWA becoming its CEO. Now a separate company, DWA solely produces animated feature films and television programs.
With Katzenberg overseeing the new DWA, David Geffen and Steven Spielberg focused on the live-action arm of DreamWorks Studios. In 2005, Spielberg released two films—the successful remake of the H.G. Wells classic “War of the Worlds,” starring Tom Cruise, and the historical drama, “Munich,” starring Eric Bana.
In January 2006, the company was sold to the Viacom owned studio, Paramount Pictures. DreamWorks had developed and produced “Dreamgirls,” as well as the Clint Eastwood-directed World War II films “Flags of Our Fathers” and “Letters From Iwo Jima” (both co-productions with Warner Bros.), which Paramount distributed within the first year of acquiring the studio. “Dreamgirls” earned eight Oscar® nominations, including a win for Best Supporting Actress for Jennifer Hudson, “Flags of Our Fathers” earned two nominations, and “Letters From Iwo Jima” collected four, including Best Picture, Best Director, and Best Original Screenplay. A few months after Paramount’s purchase of DreamWorks, Stacey Snider joined the team of Geffen and Spielberg. Snider had been Chairman at Universal Studios where she experienced remarkable success with a consistent output of films that were both domestic and international box-office hits, while garnering wide critical praise.
Snider’s arrival as DreamWorks’ CEO and Co-Chair began a notable run for the new company. Its first four releases of 2007 all debuted in the #1 spot at the box office and each earned over $100 million worldwide. The four films included the Eddie Murphy comedy “Norbit,” “Blades of Glory” starring Will Ferrell, “Disturbia,” starring Shia LaBeouf, and the Michael Bay directed “Transformers,” which alone grossed over $700 million worldwide. The studio finished out the year with the critically acclaimed films “The Kite Runner,” based on the beloved novel by Khaled Hosseini, and “Sweeney Todd: The Demon Barber of Fleet Street,” starring Johnny Depp and directed by Tim Burton. “Sweeney Todd” won the Golden Globe for Best Motion Picture, Musical or Comedy and Depp won for Best Performance by an Actor in a Motion Picture, Musical or Comedy, as well as earning an Oscar® nomination for Best Actor for playing the titular role.
The following year, DreamWorks released the comedy “Tropic Thunder,” directed by and starring Ben Stiller, along with Robert Downey, Jr., Jack Black, Jay Baruchel, Brandon T. Jackson, Nick Nolte, and an unforgettable cameo with Tom Cruise. Robert Downey, Jr.’s bravura portrayal as an Australian actor playing an African American in the Vietnam movie-within-a-movie, earned him accolades across the board including Best Supporting Actor nominations for the Academy Awards™, the Broadcast Film Critics, the Golden Globes, and the Screen Actors Guild. 2008 was capped off with director Sam Mendes’ third film for DreamWorks, “Revolutionary Road.” Based on the 1961 novel by Richard Yates, the film reunited Kate Winslet and Leonard DiCaprio on the screen for the first time since “Titanic.” “Revolutionary Road” was a critic favorite and Winslet won the Golden Globe for Best Performance by an Actress in a Motion Picture, Drama for her role as April Wheeler.
At the end of 2008, Geffen departed the company, while Spielberg and Snider charted a path for their new partnership. With Geffen’s assistance, the two found a financial partner in Anil Ambani, chairman of The Reliance Anil Dhirubhai Ambani Group. After a year of deal making, DreamWorks secured $325 million from Reliance, which was matched by a consortium of investment banks.
In 2009, Paramount released the remainder of the films produced by DreamWorks. Those releases included the Paul Rudd and Jason Segal starrer “I Love You, Man,” the blockbuster “Transformers: Revenge of the Fallen,” the box office phenomenon “Paranormal Activity,” the critically acclaimed “Up in the Air” starring George Clooney and directed by Jason Reitman, and the Peter Jackson directed film adaptation of Alice Sebold’s best-seller “The Lovely Bones” and the romantic comedy “She’s Out Of My League.”
The debut of DreamWorks Television’s newest show, “The United States of Tara,” came in January 2009. Starring Toni Collette and John Corbett, the Showtime series was created by Academy Award™ winner Diablo Cody and is based on an idea by Steven Spielberg, who is also an executive producer. Collette won both the Emmy and Golden Globe for Best Lead Actress in a Comedy for her role as a mother struggling with multiple personalities (dissociative identity disorder (DID)).
In 2010, Spielberg and Tom Hanks re-teamed for DreamWorks’ next television project, “The Pacific.” An unofficial companion piece to their “Band of Brothers,” “The Pacific” follows the United States Marine Corps' actions in the Pacific Theater of Operations during World War II. The 10-part DreamWorks Television and Playtone series debuted on HBO on March 14, 2010 and will conclude on May 16, 2010.
As of August 2009, the new DreamWorks Studios began the process of ramping up their slate. Their first release will be “Dinner for Schmucks,” a co-production with Paramount and Spyglass Entertainment, starring Paul Rudd and Steve Carell, and directed by Jay Roach. The sports action drama, “Real Steel” is currently in production with Shawn Levy directing and Hugh Jackman in the starring role. “Real Steel” will be distributed worldwide by The Walt Disney Studios for release on November 18, 2011. “Cowboys and Aliens,” starring Daniel Craig and directed by Jon Favreau, is scheduled to begin filming this summer and will be in theaters July 2011. The sci-fi western is a co-production with Universal Studios, who will distribute the film domestically.

Contrasting case study Ted (2012)



Overview:


Directed bySeth MacFarlane
Produced byScott Stuber
Seth MacFarlane
John Jacobs
Jason Clark
Screenplay bySeth MacFarlane
Alec Sulkin
Wellesley Wild





StarringMark Wahlberg
Mila Kunis
Seth MacFarlane
Joel McHale
Giovanni Ribisi


Box office: $515,015,487
 
Budget:  $50–$65 million

Opening Weekend: $54.1 million

Gross: over $200 million

 
Insitutional factors:
Target audience -  People over 15 as the movie is rated a 15 but below 30 as it has sexual content and sexual humour.
Distrubution - Universal pictures

American cultural representations
You would know it was an American film because of the type of comedy used. It is very typically American comedy and has a lot of sexual content. A lot of American films have sexual content used as comedy.
 
Release

Ted has received generally favorable reviews, with critics praising Seth MacFarlane's comic performance, as well as Mark Wahlberg's portrayal of John Bennett. The film currently has a 69% rating on Rotten Tomatoes based on 194 reviews, with an average score of 6.4/10, and the site's consensus saying: "Ted's 'romance versus bromance' plot is familiar, but the film's held aloft by the high-concept central premise and a very funny (albeit inconsistent) script." At Metacritic, which assigns a weighted mean rating out of 100 to reviews from mainstream critics, the film received an average score of 62, based on 37 reviews, which indicates "generally favorable reviews". Roger Ebert gave the film three-and-a-half stars out of four, citing the film as "the best comedy screenplay so far [this year]," also praising the film on the fact that it "doesn't run out of steam."
Nathan Rabin of The A.V. Club gave the film a "B" grade. Brent McNight of Beyond Hollywood commented on the jokes: "Some of these jokes hit, some jokes miss." On the other hand, A. O. Scott of The New York Times called Ted "boring, lazy and wildly unoriginal."
 
Production context
Seth MacFarlane's directorial debut is a live-action effort, with computer animation handled by visual effects facilities Tippett Studio and Iloura. MacFarlane wrote the screenplay with his Family Guy colleagues Alec Sulkin and Wellesley Wild. MacFarlane announced the film in the February 10, 2011, episode of Conan. Filming began in May 2011 in Boston, Norwood and Swampscott, all in Massachusetts.
The film's North American release was scheduled for July 13, 2012, but it was pushed to June 29, 2012, both to avoid competition with Ice Age: Continental Drift and following the delay of G.I. Joe: Retaliation. The film was released in Australia on July 5, 2012, and on August 1, 2012 in the United Kingdom and Ireland.
 

Thursday 24 January 2013

The woman in black case study 2012

Overview:
Director: James Watkins

Writers:

Susan Hill (novel), Jane Goldman (screenplay)

Stars:

Daniel Radcliffe, Janet McTeer and Ciarán Hinds
 
Box office:

Budget:

$17,000,000 (estimated)

Opening Weekend:

$20,874,072 (USA) (5 February 2012) (2855 Screens)

Gross:

$54,322,273 (USA) (29 April 2012)
 
Insitutional factors:
 
Target audience - People younger than 25 but older than 15.
 
Distrubution - Wide distribution
 
English cultural representations
Typical stereotypes were represented as having people working for eachother and person being the boss having more control over the person who was working for them. It was also in a typical old english village and an old victorian looking house, typically related to english culture. 
 
Audience appeals
Horror, well known main actor, director, something new,  high production values
 
Production context
The film was announced in 2009, with Jane Goldman as screenwriter and later James Watkins as director.Daniel Radcliffe was announced as the actor playing the part of Arthur Kipps on 19 July 2010.Two months later, it was announced that Harry Potter co-star Ciarán Hinds would join Radcliffe along with Janet McTeer as Mr and Mrs Daily respectively.Before filming, Radcliffe saw a psychologist so he could better understand his character. The part of Joseph Kipps was played by Misha Handley, who is Radcliffe's real life godson.
 
The film was planned to be shot in 3D,but that plan was later scrapped. Principal photography officially started on 26 September 2010. The next day, Radcliffe was pictured in costume just outside Peterborough, England.In early October the crew was filming in Layer Marney Tower. Filming officially ended on 4 December 2010.
 
At the Kapow! Comic Con in London during April 2011, director James Watkins confirmed filming had been completed in December 2010 and post production would go on until June 2011. For its British release, several changes were made in order to qualify for a 12A certificate: Momentum Theatrical, the distributor, arranged to have six seconds cut and for changes to other shots, with some scenes darkened and the sound level reduced on some others. The cuts were never revealed to audiences, but comparing the US and UK cuts of the film reveals that the scenes where the woman hangs from the nursery ceiling and when Lucy Jerome sets herself on fire were cut short in the UK version.
 
Adaptions
  • In 1989, the story was adapted for television by Nigel Kneale for Britain's ITV network and directed by Herbert Wise. The production starred Adrian Rawlins as Arthur Kidd (not Kipps), Bernard Hepton as Sam Toovey (not Sam Daily) and Pauline Moran as The Woman in Black.
  • In December 1993, BBC Radio 5 broadcast a four-part adaptation of the novel. It starred Robert Glenister (as young Arthur Kipps) and John Woodvine (as an old Arthur Kipps, who also narrates parts of the story). It was directed by Chris Wallis.
  • In October 2004, BBC Radio 4 broadcast a 56 minute version in its Saturday Play slot, adapted by Mike Walker. It starred James D'Arcy as Arthur Kipps, was directed by John Taylor and was a Fiction Factory production.
  • In February 2012, a new film adaptation was released, starring Daniel Radcliffe in the role of Arthur Kipps, and directed by James Watkins of Eden Lake fame. It is a separate adaptation of the novel, not a remake of the 1989 film, and develops a storyline quite different to that of the source material.
  • Sunday 25 November 2012

    Essay

    Dicuss the ways in which gender is represented in this clip with reference to camera shots, editing, mis-en-scene and sound.

    Gender is represented in this TV drama in very clear ways. There are quite a few key moments when you see that a man dominates the woman and is in charge of her. For example when he uses her as a hat stand and when the women are making him tea and rushing around looking after him which is also stereotypes of women. Gender is also reprsented in the way the women look and dress comapred to the men and a lot of the gender that is represented in this clip of the TV drama are sterotypes of men and women.

    Mis-en-scene is used to represent gender by the way the props and costumes are used. The costumes used have most women in very tight and curvy dresses to show off their figure which is a sterotype of women that they should do this as it is nicer on the eye, although there is one women who is wearing trousers and shows that she may be of more importance as she is not dressed like that and therefore may not be looked at like that and is of a higher status because she doesnt have to dress in tight and revealing clothes. The men are all dressed in sharp suits and office wear as well. The woman at the beginning of the clip is also smoking and drinking and puts her hands on her head as to say she is stressed. This represents gender as it shows the woman doing all the important, hard and stressful work as well as not being able to deal with it all sterotyping that they are the weaker of the two sexes but the one who is meant to do the most work. When the man uses the woman as a hat stand it shows that he has greater power. This represents gender as its saying the man has more power and is more dominant over the woman and can treater her how he likes and use her for whatever he likes wtithout her having a say in it or being able to do anything about it.

    Sound is used to represent gender as the first sound you hear is of the type writter and then as the camera tilts up you see it is a woman sitting on the desk doing the office job of writing things up. This represents gender as it is a sterotype that women do the more boring jobs of sitting in an office and writing up things as men do the more important and hands on jobs. There is music in the background that gets louder or quiter at certain points in the clip, the characters walk to the beat of the music and especially the woman as she seems like she is strutting. This represents gender as she is rushing and trying to do everything and be in charge of everything and everyone trying to get the show ready in time. Digestic and non digestic sound are both used. There is dialogue the whole way through the clip which represents gender from what they are saying and from how you hear the male characters talking to the female characters.

    Editing is used to represent gender as cuts to pan is used to follow her movement, this gives the audience a sense that she is rushing and trying to get everything done and also shows the audience how she acts by the way shes walking, looks at other people and talks to other people. For example when she talks to the other man about stepping in and she is higher then him and talks down to him with her boobs quite near her face which is representing gender as a sterotype of a woman thinking that because part of her body is out of near him she can get whatever she wants without there being a problem and he has to do it although this does not fit in with the rest of the clips representation of gender as throughout the rest of the clip it is shown as the man being dominant and having control of the woman but in this scene the woman has control over the man.

    Camera shots are used to represent gender because the first shot you see is a tilt up over the news papers. You then see the woman and hear the type writing. This automatically tells the audience that she works in some sort of office. There is also over the shoulder shots used which represents gender as you see the character from eachothers point of view. There is an extreme close up of a man lighting a ciggerette which is mysterious as you cannot see his face and you dont know who he is. This represents gender as its showing men are more in control of whats happening as the audience are not being told anything about this man apart from that he smokes, which could also represent gender as a sterotype of being quite a rich and relaxed man.  Wide shots are used quite a lot because this represents gender as a whole because you can see everything that is going on in the scene, then the other shots are used to represent gender more specifically when they director wants the audience to focus more oncertain things. Establishing shots are also used to show the audience more about where they are working for them to be able to work out more about each character and what each characters doing and that represents gender as the audience can know more.